Apr 14 2009

Back On The Road With Clare Teal!

Hello folks,

Well it’s been a pretty busy period out there on the road with Clare Teal. We’ve done twelve shows over the last few weeks and we’ve all clocked up over two thousand miles as we travelled up and down the country. I was intending on posting a mid-tour blog to let you all know how it was going, but there proved to be insufficient time once I actually got home! It’s amazing how your one day off at home suddenly erodes away amongst a big pile of washing and unanswered emails when you’ve been out touring… I figured that my constant updates on Twitter would have to suffice for the time being. And once again, a little apology is probably in order for those of you who sent me @replies via Twitter whilst I was away; I still have yet to figure out a method of replying to your messages once I’m out on the road. I’m still waiting for Vodafone to sort me out with a new sparkly phone with which I can fully engage with the online world once I step out the front door!
The Teal Tour started out with four nights at Ronnie Scotts. This was a pretty tall order as we were trying out a brand new show at one of the country’s most prestigious jazz venues. Less than ideal (nobody wants to peak too early now, do they?!), but after a couple of days rehearsal we were pretty confident that the new show was going to be a hit. And it was.
We were out promoting our new album Clare Teal Live At Ebenezer Chapel. Unfortunately the album was so new that it wasn’t actually ready for the shows at Ronnies (artwork, artwork, artwork… the bane of all album production!). When we did finally get the CD’s for the Falmouth show, we were all over the moon with the results. The music sounds great and the artwork is beautiful. We recorded the album in front of a small audience in January. There’s a fantastic atmosphere to the live recording; you can really feel the energy in the room. The new album is now available on Clare’s website. During the tour they were only available at the live shows so needless to say, they were selling like the proverbial hotcakes. We’re all very proud.
The Ronnie’s shows were a big hit. We had a full house for three out of the four nights and the audience loved the new material. Our new MD Grant Windsor has produced some stunning new arrangements (he also did a lot of the arrangements for the live album), and the band is sounding better than ever. Colin and AD have become an integral part of the live sound with a far greater emphasis on close harmony backings and the addition of guitar, trumpet and percussion. We’ve even got Chris Dagley playing bongos for one number. O yes…. A personal favourite number in the new set. I shan’t give too much away, you’ll just have to come along and see the show for yourselves. Let’s just say that it has to be seen to be believed…
I even managed to survive what can only be described as an act of sabotage on our opening night at the hands of the bassist playing with the support band. After I rather stupidly agreed to lend him my bass for the first set, he took it upon himself to completely change the action on my bass; handing it back to me just before our first set, remarking nonchalantly “You might want to check the tuning..”. I was not impressed. Especially as I’d just had the bass professionally set up and it was sounding better than ever.
Anyway… I’m over it now.
Our first out of town gig was in Falmouth. Possibly the longest drive of them all at five hours (eerghh..), we played the Princess Pavilion. It’s a lovely little theatre down by the sea (Or is it a river? Not sure..). The audience were a little quiet, but the show was good. By this point we’d already started rearranging the set and adding in a couple of old favourites. You can’t have a Clare Teal show without Messin’ With Fire, after all!
The following day we moved on to one of Clare’s favourite venues, the Brewhouse Theatre in the ‘Big Apple’ (Taunton). This really is a lovely venue and a great little town. It’s always good to have a little time during the day to have a walk around when your on the road. Grant and I went out for some lunch and coffee before the show. We’ve played the Brewhouse a number of times in the past; we’re always met with a great reception and the staff really looked after us yet again. A really good day.
On the 24th, we moved on to play St. Georges in Bristol, another regular venue for Clare. I’ve played there at least three times before with Clare and once with Lea Delaria. It’s a wonderful space for performing and has a great atmosphere… as long as you can get the acoustic under control. It’s pretty cavernous and getting the balance right on stage can be a bit of a challenge.
We had the local BBC come down in the afternoon to interview Clare and film her, Grant and I performing our blisteringly fast version of Tea For Two (Which incidentally features on the live album.. come on now folks!). Great fun… Really hoping that one turns up on YouTube at some point. It’s funny how you never really get to see these things back…
I did another one of those classic moves whilst in Bristol. The old ‘forgetting to call your mates when playing in their town’ trick. It never fails to come back and bite you on the arse. I have one good friend in Bristol, a girl I went to college with and haven’t seen for a while. Although I had it in the back of my mind to call her the next time I was in town, I totally forgot. Normally this wouldn’t be a problem but, rather typically, I ran into her in the street during the afternoon. This always happens! It happened the last time I was in Dublin recording with TDC with the one person I know there too. Mortifyingly embarrassing. Felt awful. But it was nice to see her, if incredibly briefly!
After Bristol we had a well-deserved day off at home. When I intended on writing this blog. Obviously I didn’t get around to it… sorry folks.
On the 26th we all schlepped up to South Shields. Yet another five hour slog in the car. We arrived in the freezing cold and wind at the venue which is situated right on the Tyne. I really thought the weather was starting to get warmer by now, rather wishfully discarding both hat and scarf by this stage; but this happy thought was soon put to bed as I attempted to move my gear into the venue and virtually took off like a windsurfer as soon as I put my bass on my back…
After a great show we excitedly set off for our hotel like a bunch of school kids off to Summer camp. We were staying in the gorgeous Lumley Castle Hotel about thirty miles down the road. If you’re ever up in that area I’d seriously recommend this place. Dating back to the 1300s, it is truly breath-taking. Very rarely do we get to stay in such luxury whilst on the road. Clare and Muddy did well to find this little gem! Here’s a little photo so you can get the general idea…
Mmm.. lovely stuff! The following morning we travelled 150 miles down the road to play the Albert Halls in Bolton. Due to the nature of the high stage we were unable to use their piano, so Grant was stuck playing a keyboard again. It’s amazing how this can affect the gig and the sound on stage. It really was a bit of a struggle to hear exactly what was going on and the overly long soundcheck meant that we also missed dinner; not a great start to the evening but the show itself went really well.
We moved on to Huddersfield on the Saturday to play the fabulous Lawrence Batley Theatre. Once again, Grant and I got there early to have a wander round the town and check out the venue. Grant was instantly taken with the piano (in fact at one stage I thought I might be lunching alone…) and the technical crew were really great. This was the closest we got to a hometown gig for Clare on this tour and the show was sold out with around 500 people coming. In many ways it was a shame that this show (and the previous two shows on the Northern run) featured just the trio, but it did allow us to vary the set across the tour a little more and try out some different material. In fact we are working on creating a completely different show for the trio in the near future for these occasions… watch this space.

The Huddersfield show was definitely a highlight for me. We had such a great time at the Lawrence Batley Theatre. The audience were brilliant and it really is a very special venue. I’m definitely looking forward to going back there to play again soon.
The tour finished with two additional one-off shows the following week. The first was up at the Pacific Road Arts Centre in Birkenhead (over seven hours there and back!). This is a really interesting venue which I’d played a couple of years ago with Lea Delaria’s Dirty Martinis. It’s situated in a converted railway depot and puts on a wide range of music from jazz to full-on rock gigs. Acoustically it’s a bit of a cavern, plus there’s no piano, but this is one of my favourite venues to play up North. It has such a great atmosphere and the staff are brilliant. Really worth checking out.
The last venue of the tour was The Stables in Wavendon (and thankfully, not too far from home this time!). We always have a fantastic time there. I’ve played there with Clare at least three times before and we have a fabulous time on every visit. Founded by John Dankworth and Cleo Lane, it really is one of the best jazz venues in the country and well worth a visit if you’re in the area. We were back with the full band this time and had a fantastic show to round off the tour.
But of course the fun doesn’t stop here folks! We’ve still got a load of forthcoming shows for you if you haven’t managed to catch us thus far. We’ll be at the Hull Truck Theatre on the 26th, Pizza Express Maidstone on the 2nd May and the Bath Pavilion on the 3rd. You can find all Clare’s dates (as well as all the other dates I’m playing with other artists) on my MySpace page, as well as on Clare’s official website. And don’t forget to order your copy of Clare Teal Live at Ebenezer Chapel from the Online Shop, where you can also get hold of our last album Get Happy. Enjoy!
ps. Those of you waiting with bated breath for news of my forthcoming solo album (or should that be ‘both of you’?!), fear not. Work is very much in progress, but that is another post entirely. This one is already far too long… until next time!

5 comments   |  tags: , , , , | posted in Jazz, Music, Touring

Mar 9 2009

Back In Denmark With Maggie Reilly, March 2009

Hello folks,

I’ve just got back from three shows in Denmark with Maggie Reilly promoting her new album Looking Back, Moving Forward. The album features a great bunch of new songs alongside two songs from her days with Cado Belle and reworked versions of several of the hits including Moonlight Shadow, Family Man and To France.
These shows featured a different lineup. Stuart, Gordon and I were joined by Alyn Cosker on drums and Davie Dunsmuir on guitars. It made a real difference having both Stuart and Gordon in the band; we got a much fuller sound with two guitars which really sounded great on some of the heavier numbers. The latest incarnation of Heartsong with two acoustics sounded fantastic.
After four (loooong) days of rehearsals up in Glasgow the previous week we set off for Denmark on the 5th. Actually, I set out alone. Since I am now the only remaining band member residing outside of Scotland it is now my lot to do all the sitting around in airports on my tod. At least I finished my book. And have resolved not to read any more books by Will Self. A gig the previous evening at Pizza Express in Soho meant that I wound up staying up all night in order to catch the horrifically early flight out from Stansted to Copenhagen. No surprises there then..
Our first show was at the Teaterbygningen in Købe. The three venues were all of a similar size all were all seated. Probably around the 250/300-seater mark. We’ve definitely been to Købe before, although I’m not sure whether we’d played a show there yet. I remembered the town square, and of course the hotdog stand.. first one of the tour. Excellent stuff. We did have a rather farcical episode in a cafe when we attempted a coffee and cake stop. Having been shown to our table and handed menus we were resoundingly ignored by the entire waiting staff for the next 25 minutes, at which point we had to head back to the venue for the soundcheck. Fail.
Considering this was our first show with this lineup, the gig was fantastic. The audience really went for the new material and we got a very warm reception all round.

The second show saw us schlepping across Denmark for almost five hours to Aabybro. Which is apparently somewhere near Aalborg right at the Northern tip. It was frankly in the middle of nowhere. Although a similar setup to the previous gig, it didn’t quite have the same vibe. The stage lighting left a lot to be desired; mostly unflattering white light and certainly nothing moving. It’s amazing what a difference the lighting makes to a show like this, especially when the audience are seated. I found it very hard to get into the show once the house lights went down. It felt like the rock and roll equivalent of doing a gig in someone’s office. The guy who ran the venue insisted on us all coming onto the stage with him at the opening of the set whilst he introduced Maggie. It was one of the longest, most drawn-out introductions I have ever had the misfortune to witness; with long pauses and deathly silence between what I can only imagine were his gags. Not a great start. Luckily we managed to rescue the show from this less than ideal kickoff, but it wasn’t among the best we’ve done.

Luckily the last show was only an hour away in Hjørring. We played the excellent Vendelbohus, a great venue right in the middle of town. It’s always good when you roll up at the venue to be confronted with a massive poster advertising the show. We seemed to be following ‘Jane & Shane’ all over Denmark this time, whoever the arse they are. In the classic Danish touring tradition, the one day we arrive in a big town with shops and cafes aplenty is a Saturday when everything shuts at lunchtime. When do the Danes do their shopping? They must have to take the afternoon off work during the week. Hopefully next time we go back will be mid-week; it looked like a good town.
The show was fantastic. Definitely the best of the three. The staff and crew at the Vendelbohus were great and we got some amazing homemade food. Again, this was the first time Maggie had got some decent veggie food. The Danish really don’t get the whole veggie thing and this can cause a lot of problems for Maggie when on the road. They do however do a nice line in hotdogs and chili-dogs. So I was alright. The audience were again really receptive to the new material. I think the new album is going down really well over there and Maggie has been busy with a lot of promo appearances and interviews, so hopefully we’ll be back out there soon doing some larger venues. Fingers crossed!
We had a great hotel near the venue. This was the only one which managed to keep the bar open for us after the show. It never ceases to amaze me how seemingly every hotel in Denmark shuts up shop at about 10pm. Which is really not particularly conducive to the obligatory post-gig chill. We have become accustomed to trousering as much of the rider as possible on the way out of the shows and now have a bottle opener on standby after every show. There was a great kebab shop open opposite the hotel too, which made me very happy… But alas we were only there for five minutes having to leave at 5.30 in the morning to catch our flight home. Always the way!
Oh, and we saw these two rather unfortunately placed posters outside the venue… Classic.

So that’s it for now. Maggie has one more show in the book for the 2nd May in Belgium, but alas I will be busy touring with Clare and Lea that whole period. I think Ross Hamilton will be taking my place for that one. We’re expecting a veritable flurry of gigs in the Autumn, so do keep an eye on Maggie’s new revamped website or my MySpace page for future dates.
On a totally unrelated note, I was doing some recording with Katy at Red Gables just before we went away and tried for the first time a DPA mic on my upright bass. Let me tell you; this is the best recorded bass sound I’ve ever got in the studio and I’m going to be seriously investigating the possibility of getting one for myself. Apparently it was a IMK 4061. I can highly recommend this to any upright player; such a clear and full sound. I would be very interested to see what it does live on stage. I’ll let you know how I get on.
Until next time…

2 comments   |  tags: , , | posted in Music, Touring

Feb 9 2009

What’s Going On..

Hello folks, long time no see!

First of all, a little apology for the inordinate amount of time since my last post. I must admit that it has been relatively quiet here since the Duke Special tour but there have recently been a few little developments that I thought I might let you all in on…
As many of you will no doubt already be aware of, there is a new Divine Comedy album in production as we speak. Tim and I flew out to Dublin about a month ago to lay down the bass and drum tracks with Neil and our engineer Fergal. 

Neil has written some fantastic new songs and we had a great time working on the rhythm tracks. Obviously I can’t say too much at this stage as it’s not finished. I’m expecting an Autumn release. Judging by the work done so far it’s going to be a fantastic record and definitely one to look out for later this year. I wound up playing my Warwick FNA Jazzman V for virtually the whole album this time. I might do a mini-post on this soon for the guitar geeks and gear-heads among you as it gives me no end of pleasure when I’m finally allowed to play all my favourite instruments on the record whist I’m often banned from using them live because of the way they look! I’m hoping we’ll be out touring again sometime later this year… fingers crossed!
Two weeks ago I had the great honour of being asked to play a last minute show with the wonderful Carleen Anderson at the new Kommedia in Bath. I’ve been a fan of Carleen since her days with The Young Disciples. It’s always so exciting when you get to play one of your favourite tunes with the artist that wrote it and made it famous (playing Brick with Ben Folds is still one of the highlights of my career). Playing Apparently Nothin’ and Mama Said with Carleen was a real joy. There was a lot of tunes to learn in a very short space of time (ie; a couple of days to learn the whole set) which was a bit of a scramble but it was so worth the effort. I really do love playing that kind of music and very rarely get the chance. 
Carleen and her band really made me feel welcome and were incredibly supportive. Big thanks to Mark Edwards (yes, The Invisible Birdman!) for getting me in. Really hoping we get to play some more shows together sometime soon.
More recently, I’ve been over in Box recording a live album with Clare Teal. We spent a couple of days rehearsing some new tunes and arrangements for the session.  Led by our new musical director Grant Windsor, the recording also featured Clare’s regular touring band of Chris Dagley on drums with Colin and AD on backing vocals. 
Our carefully laid plans very nearly came unstuck on Friday morning when we all woke up to some incredibly heavy snowfall from the previous night. It took all morning for Clare and Grant to get over to Box from Bath because of the snow and we also had a very long wait with the piano tuner coming over from Bristol later on. Luckily things came together just as the audience started to arrive, although we missed a few key audience members due to the weather. 
The show went really well and the recording sounds great. We’re hoping the live album will be ready for Clare’s tour which starts in March with four nights at Ronnie Scotts. You can see the full list of shows on my MySpace page.
I’m going to be out touring with both Clare and Lea Delaria through March and April. This does unfortunately mean that I won’t be out with Duke Special for his UK dates at the end of April, but I’m hoping to play some more dates with him later on in the year. I went to see Pete and Chip play at the Proud Gallery in Camden a few weeks ago and had such a great time. It never ceases to amaze me how two musicians can create such a massive and varied sound. I was blown away by the show; truly inspirational. Pete will be out touring with a four-piece band the last week in April and I seriously recommend you get yourselves down to at least one of his shows.
Until next time x

1 comment   |  tags: , , , | posted in Recording