Nov 7 2008

Nina Ferro’s Album Launch at the 606


Hello folks,

Now I don’t normally do this on the blog, but I’ve got a very exciting show coming up on Monday which I wanted to tell you about. We will be officially launching my good friend Nina Ferro’s excellent new album Waiting For The Sunset on Monday 10th at the wonderful 606 Club in Chelsea (90 Lots Road, SW10).
I’ve been playing with Nina for a few years now and she is one of the most fantastic singers you’ll ever hear. Her new album features some great new original material and some choice covers all arranged by Grant Windsor.
The show will feature a 10 piece band (yes, a 10 piece band at the 606.. how we’ll all fit on the little stage at once is frankly beyond me, but we’ll certainly have a go). This is the lineup:
Nina Ferro- Vocals (obviously!)
Grant Windsor – Piano, keyboards & backing vocals
Simon Little- Electric & upright basses, backing vocals
Femi Temowo- Guitar
Darryn Farrugia- Drums
Jono McNeil- Backing vocals
Jamie Lee Wilson- Backing vocals
Brandon Allen- Sax
Quentin Collins- Trumpet
Trevor Myles- Trombone
This is a real all-star lineup and promises to be a fantastic show. I’d seriously recommend you all get on the case and book your tickets now; I think the show is fast selling out. Personally, I can’t wait! 
You can hear some of the tracks from Waiting For The Sunset on Nina’s MySpace page.
If you were planning on coming to one of my shows in London this year, come to this one. It’s gonna be a stonker. See you all there.


Nov 3 2008

The Road Less Travelled.. On Tour With Clare Teal, Part II

Hello folks,
Thought I’d fill you in on what’s been going on recently…

At the end of last week the Clare Teal band embarked on a three day northern excursion, starting off in Scunthorpe and finishing off in Durham via Leeds. And what fun we had!

This time all three shows were just with the trio of myself, Chris Dagley on drums and Mike Gorman on piano. We began on Wednesday with the big(ish) drive up to Scunthorpe. Almost the minute I reached the M25 I received a phone call from Clare informing me that the M1 was closed. Marvelous start. It took me almost an hour and a half to reach the A1 because of the traffic stuffing up the road onto the M1. Terribly dull. Now, I always make a point of working out exactly how long any of these epic journeys are likely to take, and generally add an extra 30 minutes on top for the purposes of ‘getting lost’. This cunning ruse (which usually works out a treat) fell flat on it’s face and I found myself running horrifically behind schedule in a losing game of Beat The SatNav.
As was everyone else it seemed. Luckily Muddy and Clare were already halfway there as Clare was recording at the BBC in Birmingham.  So I arrived at the Plowright Theatre a full hour late. But still managed to beat the others. Poor Chris didn’t arrive until just before they opened the doors for the punters to come in. He missed dinner..
We had a great show in Scunthorpe, with a lovely crowd. This was Clare’s Scunthorpe debut and I’m hoping we’ll be back there soon. We stayed at the Forest Pines Hotel down the road (narrowly missing the Chelsea football team it seems, who’d just checked out). Great hotel, although I regretted the decision to carry my bass to my room, which literally couldn’t have been further away from the foyer.
By the following day it became apparent that there was some horrendous cold-related lurgy gradually making it’s way around the band. It started with Mike and by this stage Chris was feeling ropey too. Luckily Leeds wasn’t too far away. We were playing at the Music College. I met Clare and Muddy at the Hotel (‘Hotel Posh no.2’, this time The Met on King Street) so we could go grab some lunch in town. The promise of Clare’s local knowledge proved a little sketchy (“I keep forgetting I used to live here…”), and we wandered the streets in the rain until we decided that it was frankly too cold and wet to continue and dived into the first place we came to. ‘Cafe Italia’ looked good from the outside…
What followed was one of the most ridiculous restaurant scenes I’ve encountered on my travels. We sat there at our table for what seemed an eternity. Eventually our eastern european waitress deigned to come over and take our order. Clare wanted a pizza. “We don’t have pizza” Really? But this is an Italian restaurant, and this page in the menu is the pizzas? “Yes. We don’t have pizza today”. Right… Clare then went for her second choice, bruschetta and a main course from the set menu. “The set menu doesn’t start until 3.30” says our waitress. Really? Doesn’t say that on the menu. All I wanted was some tomato soup and some garlic bread. Apparently there was no garlic bread because it was somehow pizza-related, so just the soup for me then. After jousting over the menu for a few more minutes, gradually ascertaining how little of what was offered was actually available, we managed to finally order some food.
Shock horror… It wasn’t very good. Never mind.
Clare dropped in at the BBC opposite the music college for a quick interview on the local radio and Mike and I joined her to play a quick tune live on air. Then we dashed back over the road to get ready for the show. The hall was fairly new it seemed. It reminded me of a larger version of the Lecture Recital Room back at my old college. It had a lovely 9′ piano, but a rather strange acoustic. It’s funny how drummers and bass players rarely agree on what makes a good acoustic. Chris loved it. His drums rang out through the whole space with no amplification, as did the piano and Clare’s vocal. But that same acoustic sucked all the life out of my bass and I spent the whole night bashing away at it just trying to get a sound. O well, the gig was good nonetheless. We were joined by Russ Henderson, a final year student at the college who came to play sax with us on a few tunes in the first set. It was great having Russ come to sit in; really lifted the show.
By this stage in the run Clare had also caught the cold. I was now the last remaining band member in perfect health. When we returned to Hotel Posh No. 2, it became clear that virtually the whole place had been hired out for some big corporate function. There was loud music playing throughout, the bar was stuffed, and there were various drunken folk falling about all over the place. We managed to find a little cosy spot by an open fire in the foyer and proceeded to order copious amounts of food. Marvelous stuff!
On Friday we played the Gala Theatre in Durham. I really love Durham, it’s such a beautiful town. I fully intended getting up at a decent hour and heading over there to have a look around. Typically I woke up in Leeds far too late (12.15 to be exact… I know, I know..) and completely buggered up my plan. I arrived in Durham mid-afternoon in the pouring rain, got pretty lost in my car trying to find the venue, then got pretty lost on foot trying to find Muddy and Clare. We had a great show that night to a sold-out house. By this point the others were really feeling the effects of i) all the driving and ii) the cold they seemed to have given each other. So you can imagine how we were all relishing the thought of the 4 1/2 hour drive home…
I’m pleased to say that somehow I managed to avoid catching any illnesses on the northern run. Back in London now and concentrating on getting ready for Nina Ferro‘s album launch at the 606 next Monday, and of course the tour with Duke Special. Nina’s new album is fantastic and the band are sounding awesome, so if you’re going to be in town on the 10th, make sure you’re at the 606 in Chelsea. And let me know you’re coming too so I can say hello!
Until then…


Oct 24 2008

Is MySpace finally dead in the water?

Thought I’d draw you into the conversation with that provocatively titled post…!

I made the decision last last to finally upload one of my solo bass tracks (the most recent post on my Solo Bass Podcast, Calling Out) to my MySpace page. Until now, I’ve used MySpace purely as a promotional tool for my work as a session player, ie; the bulk of the work I do playing for other people. My music player therefore featured tracks by various artists I’ve recorded with over the last few years, including Clare Teal, The Divine Comedy, A Girl Called Eddy, Chris Difford and Ian Shaw. I thought it was time to introduce more elements from my solo project. I’m getting closer to wanting to start work on the actual finished album, and once I have a product to sell I’m going to need as many people to know about it as possible.

Which brings me to my first dilemma. I have quite a few ‘friends’ on MySpace (3,452 is todays count). My current music profile has been active for almost two years now. Most days I get a few friend requests from various bands and solo artists who seemingly have no relation to what I do and more than likely have never heard me play. Very occasionally they attach a message introducing themselves, or saying how/why they found me which is always appreciated. I make a point of sending these folk a little thankyou message/comment, as I believe these are the people I’m really aiming to engage with online.
I’m guessing that most of the MySpace ‘promotion’ tools that other bands use to contact their friends are via the blogs and bulletins. I stopped using my MySpace blog a few months ago in favour of this Blogger site, which is both far more interactive and has myriad sharing/subscribing possibilities thanks to Feedburner. I found that virtually nobody would read the blogs on my MySpace profile; but the minute I posted the same blog on Blogger, various people would start subscribing and leaving comments. Which is the whole point of blogging; engaging in a conversation. I seriously doubt whether the majority of people that visit my MySpace page actually hang around long enough to read the blog, let alone listen to all the music.
The bulletin system is fundamentally flawed as a promotional tool. Once a user has more than 1,000 ‘friends’, they no longer receive bulletins. Which is entirely sensible. Before I got to that stage, my MySpace home page was something akin to my junk mail inbox, littered with a variety of messages inviting me to “Come listen to my new song” or “Check out my new video”. Frankly, I don’t have the time and if I was that interested in your band, then I would have made the effort to check your page under my own steam. I do make a point of visiting several key MySpace profiles regularly to see what new projects are on the go. In fact, the ability to receive updates from selected users only (starting with your top friends as default) has been incredibly welcome navigationally. Thus, if I was to send out a bulletin on MySpace informing my friends of a solo show or a new release, chances are that 90% of them would never see it.
This is my main issue with MySpace. It’s complete lack of interactivity and flexibility. My Reverb Nation page has become the hub for all my various social media dabblings. My blog is imported straight into Reverb Nation, as are my status updates via Twitter, which means that the page is kept alive and vibrant without me even having to log in every day. The music player behaves exactly as it should, making sharing my music clear and simple. Unlike the MySpace music player…
Last night’s uploading was a fiasco, let me tell you… My good friend Eddy was on the phone to me last week in a panicked state over the demise of her music player on MySpace. It had disappeared entirely. A little investigation concluded that her page was not the only one to suffer this glitch. As I uploaded Calling Out, I had the distinct feeling I was in for trouble. although the track uploaded properly, the associated artwork didn’t (and it seems still hasn’t, despite two subsequent attempts). And the fact that I designated the track a free download has been totally ignored. Nearly 15 hours later, the track still cannot be downloaded and plays with no artwork. Rubbish.
The plodding user interface is a nightmare to navigate and frankly I’ve had enough. My most recent gripe with the site (and judging by the plethora of similar exclamations on Twitter) is it’s insistence on plaguing users with drop-down banners which completely obscure the page you’re viewing. And more worryingly in the last few weeks it seems that several of the links you click on to navigate around the site suddenly transport you into another page entirely, loading up some promo clip. Now, this is really not something I would have expected from a ‘social networking’ site. Over the last few months MySpace has been almost entirely overrun by corporate nonsense and it is undeniably getting worse every day. I give it another couple of months before all those bloody awful ‘Adult Friend Finder’ type ads start encroaching on MySpace. Seriouly, it wouldn’t surprise me. We’re 3/4 of the way there already.
A few days ago I sent a MySpace friend request to a band called Nohno, a fantastic industrial-electro/ambient duo from Newcastle. I don’t remember how I came across their music (although I suspect they cropped up on Last.fm), but I really liked the sounds they were creating and wanted to know more. I received a message back from them yesterday asking me to let them know how I found them and basically to confirm I was not some kind of MySpace friend-gathering machine. So I replied and the conversation began. This is a rare occurrence on MySpace and I took the opportunity to point Dean in the general direction of Reverb Nation.
I don’t think it’ll be long before more musicians become as disillusioned with MySpace as I am, and will start to investigate other avenues to engage with their audience. And I think Reverb Nation will provide the most effective template.
Anyway, enough of this ranting. As Stephen Fry says in his last excellent Podgram, an angry article writes itself. And I shall duly leave it there.
So how have the changes in MySpace over the last few months effected your perception of the site? Have you, like me, been forced to migrate elsewhere? I’d love to hear your thoughts…
Until next time.
Simon x