Simon Little

Whether you’re a music fan or an artist, the brand new fan pages from Bandcamp are really rather exciting.

Now anyone that has bought music via Bandcamp can sign up for a free fan page where they can showcase their music collection and browse the collections of other like-minded music lovers to discover new records. Yet again Bandcamp has come up with a clean, simple and effective system where iTunes has failed. The ill-fated iTunes Ping service lasted all of five minutes with it’s fussy interface and attempt at creating a social network, and now Bandcamp has managed to achieve a fully integrated music recommendation system without detracting from its core values or functionality. Here’s what my fan page looks like today (you can click on the link if you want to follow me!):

As you can see, you get a really straightforward page showcasing the music you’ve bought on Bandcamp. You can show or hide whatever you like on your page, add reviews/comments to albums and select your favourite track for the player. You can follow both artists (which automatically signs you up to their mailing lists and lets you know when they release new records) as well as your friends and other fans so you get notified when they buy new music. And once you’re signed up as a fan, a little thumbnail of your profile picture will appear beneath any album you’ve recently bought on the artist’s page in the ‘supported by‘ section, as will any comments you’ve added as a recommendation.

This new feature has benefits for both fans and artists…

Fans now have access to a great music recommendation and discovery system for all the excellent independent music available via Bandcamp. Since they introduced the Discover feature last June, Bandcamp has steadily improved the way in which new music can be discovered in it’s vast library. Artists have been able to add up to three albums in their recommended section, which now features on their band page:

Fans can now be notified immediately when their favourite artists release new music or their friends buy a new record. And now you can show off your impeccable taste in your own personal corner of Bandcamp, and publicly show your support for your favourite artists. You can see who else has bought a particular record and explore the rest of their collection. There is also now a wishlist which enables you to save albums you’ve found that you might like to come back to and purchase at a later date. All of these functions are presented in the most straightforward way with an excellent UI. Marvellous…

Artists can now engage more with their fans and other artists alike. Fans are incentivised to pay for your music so they feature on your page as supporters and showcase your music in their collection (free downloads don’t offer these possibilities). Your music can now be found via genre and tag searches, artist recommendations and fan pages. You can expand your mailing list as people start following you and automatically gain access to your fanbase when you really need to; when you release new music.

Bandcamp describes the fan accounts as “a social music discovery system based on the high-friction concept of ownership“. The idea being to involve fans at a level greater than simply pressing a ‘Like’ button or scrobbling plays on last.fm, and thus engage more with a sense of community and support for the artists they love.

So in a nutshell, You Need This!!! If you’ve ever bought music via Bandcamp (and hopefully most of you reading this will have bought one of my records at least!) you should sign up for a fan page immediately. It’s dead easy and it gives you instant access to a whole world of music discovery. I’ve already found a few little gems purely through browsing my friend’s collections and the recommended pages of my favourite artists. The worst thing that could happen is that you end up blowing loads of money on some great new music…

If you have yet to use Bandcamp to purchase music, I shall of course suggest checking out my latest solo release [un]plugged and our new trio recording Foreground Music, Vol. I with Jez Carr and Mike Haughton. Of course. What better way to start your collection and connect with other music lovers? Enjoy…

Over the last few weeks a lot of people have been talking about leaving Instagram in the wake of their recent changes in Terms and Conditions. A few of the people I follow have obviously deleted their accounts and some friends are certainly planning on doing so in the near future. I’m sticking around. Here’s why…

For those of you unfamiliar with the service, Instagram is a social network based around a mobile application (initially on iPhone but more recently on other mobile platforms). It allows users to share their photos on Instagram and across several other social networks at once (including Facebook, Twitter, Tumblr and Flickr) and hosts a vast online community of mobile photographers. Many users when they first come to the application see it as an easy way to edit their photos with it’s range of custom filters, borders and tilt-shift type  functions and you can certainly get some great results using it’s basic edit suite.

As many of you know I am  big fan of mobile photography. If you follow me on Twitter or Facebook you will no doubt be aware of the umpteen photo posts in any given week, all of which would have been shot and/or edited on my iPhone. In fact, the last four albums I put out (including [un]plugged and the new trio record Foreground Music Volume I) have had their cover art created entirely on my iPhone. A lot of the techniques I use have been learnt from Instagram. It is a fantastic resource for mobile photographers. With the plethora of applications available it is great to be able to see how other mobile photographers create and edit their shots and the ability to search Instagram via tags can be incredibly useful. Instagram-based groups such as JUXT and AMPt provide great tutorials and interviews with mobile photographers (professional and amateur) as well as providing curated feeds showcasing some of the best work on the network. Both of those groups now have their own dedicated sites.

I have learnt so much about mobile photography and photo editing from my time on Instagram. I don’t feel this would be possible on any other one social network. Rival networks such as Flickr and Tumblr simply don’t have the same sense of community.

The crunch came when Instagram was bought up by Facebook in September last year. In December they released a new set of terms and conditions which, to be fair, could very easily be read to mean that Facebook had the right to sell your photos. It prompted headlines such as this in the Guardian:

Facebook forces Instagram users to allow it to sell their uploaded photos

After the obvious backlash and droves of users quitting the network, Instagram revised the published terms and privacy policy to clarify the situation and take into account users feedback. Instagram co-founder Kevin Systrom issued this blog post about the revised terms. The way I see it, the new privacy policy and T&C’s are no different to those of it’s now parent company Facebook. If I post any image online it is essentially public wherever it’s is posted. Whether Facebook, any other site or individual uses one of my images (which I find most unlikely to be perfectly frank) is pretty much beyond my control anyway. There is nothing to stop me taking a screenshot of any image online and using it, apart from the obvious copyright implications. Facebook already uses your profile picture in targeted adverts (ie; “Your friend Simon Little is using Instagram; why not give it a try?”) and they will supposedly/presumably be using Instagram images in a similar manner. Whatever…

Dylan Tweney recently wrote an excellent blog post about how to take back control of your social networks. Virtually all the social networks have very similar privacy policies and terms. Facebook pages have become rather elusive now unless you pay to ‘promote’ your posts. Who can and can’t see what you post is very much under their control and we become ever more reliant on fans and  followers sharing news items to their friends if we want them to be seen. Good old-fashionned bloggery is the way froward boys and girls. This is probably warranting another post of it’s own…

The only preserve of the actual users of any social network is the sense of community that only they can maintain. There is a fantastic and supportive community on Instagram that I would sorely miss if I were to quit. Just as I would miss it if I were to quit Twitter (Heaven Forbid!). I have learnt so much from this community and I learn new things every day. This is why I am sticking around thanks very much…

If you are an Instagram user, come and say hello! I am @simonlittlebass over there. If you’re not but would like to see my gallery, you can do this via the marvellous Statigram, which is a handy web interface for viewing Instagram shots if you’re not a registered user (or even if you are!). I shall leave you with a little gallery of recent shots. Until next time 😉 x

I made the decision last last to finally upload one of my solo bass tracks (the most recent post on my Solo Bass Podcast, Calling Out) to my MySpace page. Until now, I’ve used MySpace purely as a promotional tool for my work as a session player, ie; the bulk of the work I do playing for other people. My music player therefore featured tracks by various artists I’ve recorded with over the last few years, including Clare Teal, The Divine Comedy, A Girl Called Eddy, Chris Difford and Ian Shaw. I thought it was time to introduce more elements from my solo project. I’m getting closer to wanting to start work on the actual finished album, and once I have a product to sell I’m going to need as many people to know about it as possible.