Oct 10 2011

Triage, Theatre & Westminster Parking Update

Hello folks,

Thought I’d drop a quick post updating you on some recent developments and news.

Firstly my new trio with Lea DeLaria and Janette Mason Triage had it’s first gig last Friday at the Albert Hall’s Elgar Room. This is a brand new project for which we are developing a lot of new material. We tried out quite a few new arrangements on Friday, as well as some of the tunes from our long running Wall To Wall residency at the Pizza Express Jazz Club (Incidentally, we’ll be back at the Pizza on November 15th as part of the London Jazz Festival). The whamola even got it’s first outing in a stomping version of Straight No Chaser. As is to be expected I have duly started a Facebook page and a Twitter account which you can all subscribe to in order to keep up to date with all the news. Needless to say, we’re all very excited…

In other news, I had my first movement session this morning with the cast of A Comedy of Errors at the National Theatre. I am really looking forward to this production and it promises to be something really very special. The cast are a fantastic bunch of people and the band will feature Merlin Shepherd on reeds and the fabulous Ian ‘Squeezy’ Watson (my Divine Comedy colleague) on the accordion. There is an extensive period of rehearsal just starting now and the show opens for previews in November.

Now a little update on my Westminster Parking rant. The response to the post has been incredible. The level of outrage at the proposals really doesn’t surprise me. A great deal of people still have no idea that these changes are still going through; or that they are planned at all. It is therefore very urgent that we spread the news wherever possible; especially amongst the musicians and night workers in the West End that will be the most affected.

The petition against the proposals is still going over at GoPetitions; currently with 4548 signatures. This is still the petition that the Musician’s Union are directing it’s members towards. You can find it at

http://www.gopetition.com/petitions/we-are-against-westminster-city-council’s-new-parking.html

Last week I was contacted by somebody from BBC Inside Out London. I will hopefully be doing an interview for the program sometime over the next few weeks detailing the impact the proposed changes would have on musicians working in the West End. In the meantime, there is a demonstration outside Westminster City Hall this Wednesday at 6pm organized by the Musician’s Union in conjunction with other night worker organisations. I urge all musicians who regularly work in the West End to attend; whether or not they personally have to drive. Your bass players, drummers and keyboard players need you too!! And all the music lovers who don’t want to see a lot of their West End venues struggle. Here’s the flyer from the MU for those of you interested in attending:

I’ll keep you posted on the BBC program. We only have until December 1st, so there really is not a great deal of time to make a difference.

Until next time…


Jul 6 2011

Interview from All About Jazz

Today the fantastic All About Jazz website published an interview with me, so I thought I’d re-post it here for you to check out. The original interview can be viewed here, where you can comment on the post.

Meet Simon Little: I’m a session bassist living in London.

I was born in London and started learning the double bass at school in Dorset with Barry Glynn. I went on to study at The Guildhall School of Music & Drama in London (1999-2003) receiving tuition from Kevin Rundell, Jeff Clyne and Steve Watts. I first picked up an electric bass aged 15 and have never looked back…

Most people know me as the bassist with The Divine Comedy and Duke Special. I also tour regularly with Clare Teal and Maggie Reilly. As a jazz bassist I usually play with singers. Most notably Kate Eden, Lea DeLaria, Ian Shaw, and Nina Ferro. I’ve also played and recorded with Nick Cave & Warren Ellis, A Girl Called Eddy, Chris Difford, Jamie Cullum, Liane Carroll, Beth Rowley, Ben Folds, Norma WinstoneClaire MartinPee Wee Ellis, Alan Barnes, Polly Gibbons, Newton Faulkner and The Ronnie Scott’s Allstars amongst others.

I have released two solo albums under my own name: Mandala (2010) and The Knowledge of Things To Come (2011)

Instrument(s):
Double Bass, Electric Bass, Sitar

Teachers and/or influences?
I’m influenced by a wide range of music and musicians. Probably my biggest influences as a bassist are Eberhard Weber, Stuart Zender, Scott LaFaro and Jaco Pastorius. At the moment I’m listening to a lot of Les Claypool. I like bass players with a really distinctive style and sound…

I knew I wanted to be a musician when…
I had a go on a bass guitar for the first time.

Your sound and approach to music:
I approach all music with an open mind. It’s important to know where you fit in as a sideman and what you can and can’t do in any given situation. This comes from playing with a wide variety of bands and singers. My sound as a solo artist is very distinctive. You can hear a lot of my influences in my improvisations.

Your teaching approach:
I train my students to teach themselves. I introduce a broad spectrum of learning skills and practice techniques so that students can claim ownership of their development and continue improving independently.

Your dream band:
I would love to play with Prince. I think most people would love to play with Prince…

Road story: Your best or worst experience:
On my 22nd birthday I played a sold out show at the Birmingham Academy with The Divine Comedy in front of about 1500 people. It was also the first time I played live on stage with Ben Folds; he is one of my idols and we played a version of Brick (one of my favourite songs). It was the best birthday ever…

Favorite venue:
The 606 in Chelsea. The best jazz club in the world. And the best sausage and mash you’ll ever have.

Your favorite recording in your discography and why?
Ian Shaw’s Drawn To All Things (2006). Ian and I are both massive Joni Mitchell fans and in 2006 we recorded an entire album of Joni songs with some fantastic arrangements by Janette Mason and Ian. There some great musicians on that record and the bass sounds great. My favorite track is our version of “A Case of You.” It’s my favorite song of all time and Ian and I play it as a duo. Lovely…

The first Jazz album I bought was:
8.30 by Weather Report.

What do you think is the most important thing you are contributing musically?
Personality and presence. I’d like to think you can hear me in whatever music I’m playing.

Did you know…
I play the sitar too. And the musical saw. I just recorded a track on the saw for Newton Faulkner’s new record…

CDs you are listening to now:
Les Claypool & The Holy Mackerel, Highball With The Devil
Marcus MillerA Night In Monte-Carlo (Deuces/Dreyfus)
Bon Iver, Bon Iver (4AD)
James Blake, James Blake (Lindisfarne/Unluck)
Tom WaitsOrphans (ANTI-)

Desert Island picks:
Joni Mitchell, Hejira
Eberhard Weber, Pendulum
Jaco Pastorius, Jaco
Trilok GurtuKathak
Erykah Badu, Baduizm Live

How would you describe the state of jazz today?
Generally in the UK, I would say the scene is struggling. I’ve been very lucky to have worked with some of the UK best jazz artists over the last ten years and those artists will always have a strong audience. I think it must be very tough for younger players coming through from all the colleges these days. A lot of the smaller venues in London are disappearing….

What are some of the essential requirements to keep jazz alive and growing?
The music needs to remain relevant. It should embrace other styles of music more openly. Jazz used to be pop music back in the day. The only thing that separates it from modern day pop music now is improvisation. You can blow over anything if you want to…

If the music was more relevant and more people connected with it, we wouldn’t need to worry so much about funding. Most of the people I play with would never need an Arts Council grant to go on tour…

What is in the near future?As well as maintaining a busy touring schedule with Clare Teal, I’m also currently working on a new duo project with drummer Steve Alexander called Little Alex. We are combining my live looping with Steve’s live drums and electronics. We should have an album out by the end of this year.Also am about to start working on a new production at The National Theatre with Ben Castle. This runs all through August and September so I’ve got a busy couple of months ahead!

If I weren’t a jazz musician, I would be a:
Writer.

Big thanks to everybody at All About Jazz for helping spread the word of the new album. Hoping to have the album reviewed by them at some point in the near future. In the meantime, you can check out the most recent review at eBurban.