Nov 1 2010

MySpace? Who’s Space??

Well it’s been a strange couple of weeks for me and my ongoing struggle with the big pile of silly nonsense that MySpace has become…

As many of you may already know it was unofficially Quit MySpace Day on October 24th. I believe this was initiated by Andrew Dubber on the wonderful New Music Strategies site; the basic premise being that MySpace was now nothing more than a spam-riddled, exploitative advertising tool for Rupert Murdoch et al and the time has now come for musicians and bands to simply close down their account en masse. Steve Lawson has also been blogging on the subject today, having been quoted in yesterday’s Observer about the recent MySpace redesign and his experience with the site over the years.

I’ve posted various rants over the years concerning MySpace. When I first started putting my stuff online, MySpace was the place to go first. For many, myself included, it was a virtual shop window to showcase our work as musicians with it’s simple music player, embedded videos and photo galleries. Over the years MySpace really has struggled to keep up with the changing face of social media; mainly due to it’s dreadful corporate shenanigans since the Murdoch takeover in 2005.

Since then, MySpace has become less about us and so much more about them. I’ve already blogged extensively about why I cannot stand MySpace these days. So when Quit MySpace Day came along, I had to think long and hard about whether to delete my account or not…

I didn’t. No folks, I wimped out entirely.

I did however switch over to the new ‘redesigned’ MySpace profile which seems, to be frank, to have proved as good as deleting the account. I spent a lot of time over the years maintaining my old trusty MySpace page; uploading interesting photos, keeping my gig list up to date etc. The new interface couldn’t be worse (just when you thought the old interface couldn’t get any worse!) and the corporate branding has reached new heights of encroachment. My ‘redesigned’ MySpace is now just a collection of Reverb Nation widgets, links to this site and MySpace advertising space. The intention being that nobody could possibly bear to spend more than 30 seconds looking at it before moving on; ideally here.

But here’s the thing: I can’t bear to ditch MySpace entirely. I still see it, however unwisely, as an essential part of my online presence as a musician. I know for a fact that a large number of people still use MySpace as a first port of call when investigating new music and artists. It’s where they go to have a quick listen to a track or two, maybe to see where the act is playing next. MySpace (alongside YouTube of course) is still a huge part of many people’s online discovery process, and as a result I feel the need to be a token part of it. I might hate it, but at least I’m still showing my face and able to point people in a more sensible and worthwhile direction.

So what do you think?

How do you find out about new and emerging artists? And how do you listen to new music online? Are you getting into Soundcloud, Reverb Nation and Bandcamp? Maybe you are still a little bit obsessed with, like me?

Let me know. But don’t send me a message on MySpace. I don’t know how to open them anymore…

Jul 15 2008

Spreading The Word: My Social Networking Dabblings

As regular readers will know I recently started up a Solo Bass Podcast. With a view to producing an album of solo bass material later on this year, I wanted an outlet to post new ideas and hopefully gain some feedback. The second and possibly more important reason behind starting the podcast was to begin to build some semblance of a fanbase to whom I could promote the album on it’s eventual release.
I am a session musician by definition. ie: I make a living playing other people’s music in other people’s bands. As a musician in my own right, very few people know who I am or what I do. As a result, making myself known to a few people has become quite important. I’ve trawled the internet to find the most appropriate spots for me to have some kind of presence, and have started up profiles on a few key sites. As you will all know, my MySpace page has been up and running for several years now, but I’m finding the lack of interactivity and endless friend requests from obscure housewives-turned-jazz singers quite frustrating.
My first port of call was, a fantastic music streaming service that I have been using over the last few months as a listener. For those of you unfamiliar with the site, begins by collecting data from your digital music library (in my case iTunes) and can then recommend music based on this information. The ability to use the software to discover ‘similar artists’ has been the most fruitful for me. Each artist registered on has an associated wiki page where users can contribute biographical information, pictures and videos. Artists also have charts showing their most popular tracks and shout boxes in their page for listeners to post their comments. I really liked the interactive nature of the site and wanted to get more involved with the conversational nature of the profile pages. So I signed myself up, created a profile page and uploaded all the podcast tracks. Of course, this may well drive some of the traffic away from the Podcast site itself, but the fact that I can see exactly who is listening to my music on should eventually prove far more valuable when I actually have a product to sell. The other slightly embarrassing drawback is that (of course) I am my own top listener. I suppose we are all our harshest critics and my repeated listening to check what I’m posting all counts towards the total scrobbles. O well….
My second little project was to start up a Facebook Music page. This, to be perfectly frank, turned into a bloody nightmare. For some reason the whole process seemed frought with problems. The uploading of music/pictures etc was fairly straightforward, but there is almost no easy way to add functionality to the page. Maybe I’m just used to the MySpace system, which is initially incredibly complicated once you start editing HTML but once you’re used to it becomes almost second nature. I’ve lost count of the various applications and add-ons I’ve added an then instantly removed from the page. The features that really drew me to the site were the ability for listeners to share your music on their own pages and the availability of daily statistics for page views etc. Creating a buzz online is essential in trying to build a fanbase and it is only with the help of listeners/fans sharing your music and recommending you to their friends that the snowball effect can begin. This aspect is one of the things missing for me with MySpace, which has become so inundated with sub-standard music that finding something truly inspiring has become more than a rarity.
At this juncture I should probably mention that I also started up an iLike page, mainly as an add-on for Facebook. This has proved wholly disastrous and a complete waste of time thus far. I am apparently the only person who ‘likes’ my music and the page seems to have disappeared into the ether where nobody can find it. My advice if you are thinking about dabbling with iLike: don’t bother.
Which brings me to the latest addition to my online marketing adventure. Reverb Nation is proving the most valuable addition to the buzz-generating arsenal. Reverb Nation takes all the best qualities of the various social networking sites and presents them with an incredibly clean and user-friendly interface. Uploading the songs, pictures and biography couldn’t have been simpler. I loved the fact that you can import data from other sites to be viewed directly on your profile page. I was able to import my Blogger blog directly… In fact you may well be reading this very post on my Reverb Nation page! Ingenious thinking. I really have neither the time nor the inclination to post my blogs separately on all the various sites that I maintain and the ability to import the blog from Blogger and have this automatically update is a true blessing. The same applies to being able to import status updates directly from my Twitter account.
Reverb Nation has, for me, two additional benefits over the other social networking sites. Firstly, you have the option of making your tracks available for streaming or download, and the further option of making these ‘fan exclusives’. This gives listeners incentive to sign up to your mailing list in order to be able to download specific songs. In fact, I’m soon going to post a couple of tracks which will indeed be exclusive to Reverb Nation (ie: not ripped from the Podcast), in a vague attempt to bolster the numbers on the mailing list. The second huge advantage with Reverb Nation is the ability to place widgets from the site on other social networking pages, to spread the word even further. In fact, your fans on the site can do the same which is a massive bonus. This is exactly the sort of interactivity I’ve been looking for and precisely how I envision the ‘buzz’ may well be created.
I only created the Reverb Nation page a few days ago, so it hasn’t had many hits thus far, but I’m sure this will improve in the near future. The fact that the widgets appear on some of my other pages is already driving some traffic to the Reverb Nation page, and presumably some of these people will be coming to the site for the first time. This should theoretically get more people to sign up to the site and in turn allow them to discover more exciting music from the recommendations I make on my profile page. I posted messages on Twitter as each of these pages were initialized and a few key supportive members (who have also been listening to my podcast) were always the first to sign up. Thanks guys.
I got significantly more hits after solo bass master and social media guru Steve Lawson recommended me on his Reverb Nation Page. Which proves how the best form of buzz comes from direct recommendations, especially from such highly regarded artists. Incidentally, Steve has been incredibly helpful and supportive since I started my podcast and I’d like to give him my thanks and tell you all to go and check out his music. Steve also has a fantastic blog which he updates far more regularly and eloquently than I; well worth subscribing.
The biggest influx of traffic to the podcast itself (second only to when Steve posted a message on Twitter saying that he was listening) was after I posted links on the Warwick Forum about a week ago. I literally doubled the number of hits. Which just serves to prove that targeting your audience directly is always the most effective solution.
But I do wonder how many of these listeners will go on to sign up to the mailing list on Reverb Nation, or become a fan on Facebook? So far I’d say none of them. The next phase of my online adventure will be an attempt to further tie together all the various pages and services in order to build up a more cohesive and measurable fanbase. I would say that is where the true secret to success lies….